"Devam Hayagrivam Aham Prapadhye"
Hayagriba Madhab Temple, Hajo
Adharam
sarvavidyanam hayagrivam upasmahe
I
felt that immediate connection. That far away, in the north east, there is a
Hayagriva worship and I did not want to miss it. Hajo is just 30 kilometres
from Guwahati, on the banks of Brahmaputra, and is very well connected. As the
ASI description says, it is a graceful shrine dedicated to Vishnu on top of an
isolated hill called Manikuta Parvat. Though locals would say the temple dates
from 6th century CE, the base of the temple is dated to 10th
century, perhaps built during the Pala period. ASI’s account says the temple
was rebuilt in 1583 by Koch king Raghudeva who ruled between 1581-1603 over the
foundation of the ancient temple ruins of 10th-11th
century CE as reflected in the plinth through mouldings of friezes of
elephants, Gajatharas and geometrical designs of low relief in the basement. We
can immediately connect to the temple as much as we would do with any of the
temples with the Gajathara we see at Hajo. From Ellora’s Kailasa to the Central
Indian Bhoramdeo temple to many many others - isn’t that such a common link. The
Nagara shikara has on its walls many deities, ones we can easily identify are
Vishnu on Garuda, Shakti slaying a demon, Narasimha Avatara. The garbhagriha is
connected through an antarla from a flat roofed mantapa. I was during a recent
discussion on Club House, for which I finally got down to collect my notes, I
was asked about the Nagara description. Unfortunately I couldn’t find any
specific books yet on the style or architecture of temples in the north east. But,
I could only see the similarity between the famous Kamakhya temple, the temple
at Hajo and few others we visited, to have a distinct if we can call it so, a
Kamarup style.
Hayagriva
is a pan-Indian deity – as seen from the Nilamata Purana of Kashmir, the record
of pre-Gupta, Gupta era murtis, the iconography seen from Vaikunta Perumal
temple Kanchipuram, Lakshmana temple Khajuraho, and among the Hoysala temples
in Karnataka. The earliest in terms of the texts, the reference to the
importance of Horse and the connection to the Rig Veda is established by many
scholars. Then the most prevalent legend of Hayagriva comes from the
Mahabharata Shanti Parvan. I will keep these recollections brief. Demons Madhu
and Kaitaba stealing the Vedas and the Avatara of Hayagriva to recover the
Vedas. Though there are different variations within Mahabharata will stick to
this for the time being. That is also the image Sri Parasara Bhatta in Sri
Rangaraja Stva sings about:
Incarnated
as a horse,
You
destroyed the obstacles Madhu and Kaitabha,
Bestowed
upon Brahma divine vision
In the form of the Three (Vedas)
And
gave life to the whole world freely and spontanenously!”
Swami Desikan too in the Hayagriva Stotra says:
Vaikunta Perumal Temple, Kanchipuram - Hayagriva
From
the Pravargya and the concept of Yagna Vishnu in the Vedas we can see the
continuation in Devi Bhagavata where we see the legend of Hayagriva the asura
killed by the Vishnu Hayagriva. Vishnu’s head is severed and Vishwakarma gets
the head of a horse transplanted and as Hayavadana or Hayasirsa Vishnu kills
the demon Hayagriva. Asura Hayagriva through his prayers to Devi had recevied
unassailable powers akin to what Hiranyakashipu had.
Yoginitantra, a likely 16th century text in its ninth chapter is devoted to history and worship of Vishnu Hayagriva in the name of Hayagriva Madahva on Manikuta Hill at Hajo. The text is in the form of dialogue between Siva and Parvati. The worship as per the text some feel could have been in the tantric form, vamacara sakteya form and may be later changed to Vaishnava form with the influence of Acharya Srimanta Sankaradeva.
The same text also gives a description of how the images of Hayagriva Madahva temple at Hajo came to be, which has links to the origin of the Puri Jagannatha murtis.
“It has been said that Indradyumna, the king of Orissa, dreamt one night that a big tree would be floating along the sea-shore and he would have to cut it into seven pieces in the morning. Out of them two pieces were to be brought to Kamarupa country, of which the image of Hayagriva and Mathyakhya Madhava were to be made. An Assamese work by Sriramacandradasa, called 'Manikuta’ contains same tale narrated in the Yogintantra. I was asked if the deities at Hajo are made of wood as per this legend. But, to my mind they are silas and do not know what are when of the transformation of deities from the wooden form to the murtis being carved in stone. Though the priest at Hajo was explaining the sthala purana and deities to us, much of it was lost as we didn’t know Assamese. Unfortunately we didn’t have any guides when we went around Guwahati. Since photography is prohibited I had not clicked any pictures of the deities, but sharing one that is available freely on the internet.
Hajo
has been a very important pilgrimage centre for Hindus as well as Buddhists.
Hayagriva Madhava temple has also been a pilgrimage centre for the Buddhists in
the past. Buddhists considered the deity to be Mahamuni, and was visited by
Buddhists from Tibet, Bhutan and Sikkim. The Buddhist legends connect the Hajo
site to be the place of Buddha’s parinirvana. The deity here is also claimed by
some to have been primarily a colossal Buddha and not Hayagriva. But, the
interesting aspect is the Tantric, Vajrayana tradition of Buddhism has its own version of
Hayagriva, and Hayagriva worship. A mistake perhaps by the Lamas some say of mistaking
the current Sualkuchi – Sal Kusa to be Kusanagara where tall kusa grass grows.
A mix-up scholars say since Buddha’s parinirvana is well established and Assam
otherwise had not shown any Buddhist record or sites.
There have also been controversies over some scholars placing the whole Hayagriva worship as a tribal one, attributing its origin to the indigenous belief system of Assam which later got incorporated as a pan-Indian deity. However, that have been refuted since the date quoted for such a phenomenon are very late and even before that in the verses of Alvars and Parasara Bhatta many references to horse faced Vishnu is found – that is covering a period of say from 7-th-8th centruy to 12th century CE. T.R.Gopinatha Rao quotes The Vishnudharmottra to give a description of Hayagriva iconography in his book Elements of Hindu Iconography. “The feet of Hayagriva should be placed in the outstretched palms of the goddess of Earth. The complexion of Hayagriva should be white and the colour of cloth worn should be white …. Should have a face of a horse and eight arms. In four hands he should carry shanka, chakra, gada, padma. And in other four should be placed on heads of personified forms of the four vedas. Should be duly adorned with ornaments.”
Prasanna
vadanam dhyayet sarva vignopa santaye
The deities at Hajo are also covered in the shweta vastra and indeed this verse has also been cited in reference to Hayagriva. To me the interconnectedness, the nearness one feels when a common thread of worship, deity is seen in other parts of the country. The Vaikunta Vishnu with four faces, and in some of the depictions one is horse faced, as seen in some of the murtis from Kashmir, at Khajuraho temples, the Hayagriva form itself on the prakara walls at Kajuraho to the Hoysala temples in Karnataka, and to find a temple of Hayagriva in the north east, amazed I was. Travel knits us together, makes all these regions so near, isn’t it. To think of the legend of the Matha Hayagriva mentioned earlier – the deity was gifted to Swami Bhagavad Ramanuja by Saraswati Devi herself on his visit to Sarada Pitha at Kashmir to receive Bodhayana Vritti of Brahmasutras. Through the guru parampara it reached the Parakala Matha. The Hoysala dynasty’s illustrious Vishnuvardhana was influenced by Swami Ramanuja and no wonder we get some of the exquisite chaturvimsati murtis and also Hayagriva from the Hoysala temples. Closer to me, at Kanchipuram Vaikunta Perumal we have one of the oldest depictions of Hayagriva, in a standing posture. Hajo might still be a mystery, but definitely the name of Hayagriva has an unmistakable identity and a history.
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Lakshmi Hayagriva - Parakala Matha |
Khajuraho |
Nuggehalli |
Picture Credit: Tiruvendipuram, Hajo & Parakala Matha pictures from the internet
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