Caste


Caste 

Sitting at Ethiraja Kalyana Mandapam waiting for Sanjay Subrahmanyam concert to begin, saw someone sitting infront of me read The Hindu article on the controversy over ‘Madhorubagan’. Asked for the paper from the person and quickly read it. Two days later at the Museum book shop saw this bright red coloured cover of  the book  - it was a small book and immediate inclination picked it up. Hectic travel followed it and the book travelled with me to Mumbai unread. Last afternoon after seeing the author’s reaction to threats and the overwhelming support of intelligentsia decided to leave other works aside and read it.
As a student of literature and avid reader, over the years one has encountered all sorts of books ranging for serious adultery to free sex to whatnot. So, was not shocked or surprised to read this book which mainly deals with fertility issue and an open free sex day at a temple as a way to solve it. From the so called “animists” to Hindu Gods fertility related deities, worship has not been unknown … various temple sculptures themselves are a witness to the issue of fertility and childbirth. We have had a long discussion on such photos on the Ancient Monuments group on facebook. The Lajja gauri images are one of the most stark examples of it.
This book deals with a childless couple taunted by relatives and society for being so, and when science was not advanced had no other option but to look for a solution that was available at hand. The book says the Thiruchengode temple festival, specifically the 14th, the last day of the festival was a venue for free sex that indeed produced several “God children” in the area.
If Tamil society was such an open and free society a 100 years ago, only historians should say yes or no. Even if historically it was not the case there is no issue about an artist coming up with an imaginary situation. But mixing history with fiction creates problems.  Castes disappeared from street names in Tamil Nadu some 40-years ago but came back with vengeance in the form of caste based parties. Today, every denomination has its own political party and some of them very powerful.
In that backdrop look at what the author has done – he sets the book in a real place, says based on research. The characters are very clearly mentioned by their caste names, and they infact show their caste bias by passing comments on untouchables, and one passing reference to a Brahmin chief minister who robbed them of their “kal”. We live in a politically correct world. Today if I were to call someone a “chakkili” I can be immediately arrested. So, can  you then place the characters set in real castes, in real settings and get away with what can be termed an abuse?
Some of the caste remarks which may not be comfortable to everyone, ofcourse the only one I don’t see protesting are Rajaji’s family.













The authors leaves the issue of what happens to the heroine who finally ends up to have free sex on the 14th day without the husband’s approval, rather it leaves him fuming. For  the main castes in the book the Gounders so conscious of their caste, were they really ok, mixing with any caste to produce kids? If not having a progeny resulted in such serious taunts did those who conceive and produce children through other unknown men get away easily without any trouble in the society?
These are the questions and issues that cropped up reading the book. Also, why is that the book that was first published in 2010 encountering such serious threats in 2014 Dec and 2015. The edition I have says the second edition was a corrected edition, only those who have the first edition can compare and say what are the parts that the author corrected.
Periyar and Rajaji two of Thiruchengode’s sons are not around to stand testimony to the facts of the book, but someone may be around to talk. One appeal to the author, instead of going overboard with your counter threats, please stand by your book and count on all the support you have got.



Comments

Popular posts from this blog

Elegant temple and the exotic maidens

Shyaamalaam Saralaam Susmitaam Bhuushitaam

Loss and discovery